Find FBR at www.facebook.com/fiercebadrabbitmusic  or www.reverbnation.com/fiercebadrabbit

Photos courtesy of Darren Mahuron

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While in Colorado, Judith Avers has consistently rocked the stage or appeared on albums with other great talents including The Fray, Born in The Flood, Yonder Mountain String Band, Hazel Miller, Gregory Alan Isakov, Holly Near, Glen Phillips, John Sebastian, Devotchka, John Magnie (Subdudes), Liz Barnez, Nina Storey, and songwriting legends Gary Harrison, Tia Sillers, Mark Selby, Randy Sharp, Mark D. Sanders, and Gary Chamberlain among others.

Now based in West Virginia, Judith continues to amaze everyone touring nationally with, not only her brilliant songwriting and angelic delivery, but her beauty and grace embodied by the incredible artist she has become. We are thrilled to have her back in the KRFC studio! www.JudithAvers.com

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Hot off the presses, here’s a look at what you listened to the most in the final month of KRFC’s 9th year on the air. Looking ahead, we’ve got our 9th Annual Birthday Bash at the Lincoln Center, Saturday, March 10th (more). Tuesday, March 6th, join us for a Mayoral proclamation in celebration of our anniversary, acknowledging the work of all our volunteers coming together to create the soundtrack for Northern Colorado (more).

Heading in to year 10, there’s never been a better time to join the big family of Ft. Collins radio volunteers. Be a DJ for a day. Share your top spins with us. Dedicate a day of programming to someone. Become an on-air programmer.

Colorado Spins for February

1) Halden Wofford & the Hi Beams
2) Otis Taylor
3) Fierce Bad Rabbit
4) David Richey
5) John Common
6) Katya Chorover
7) Lionel Young Band
8) Turn 4
9) Jaden Carlson
10) Katie Glassman
11) Cary Morin
12) FaceMan
13) Great American Taxi
14) Hickman Dalton Gang
15) John Statz

Song Spins for February

1) Delta Spirit, “California”
2) Gotye, “Somebody I Used To Know”
3) Ben Kweller, “Full Circle”
4) Black Keys, “Gold On the Ceiling”
5) Galactic, “Out In the Street”
6) Tapes n Tapes, “Freak Out”
7) Black Keys, “Little Black Submarines”
8) Chieftains w/Decemberists, “When the Ship Comes In”
9) Civil Wars, “20 Years”
10) Dave Carter & Tracy Grammer, “Way Over Yonder In the Minor Key”

Album Spins for February

1) Black Keys, El Camino
2) Halden Wofford & the Hi Beams, Live @ Hodi’s (C)
3) Otis Taylor, Otis Taylor’s Contraband (C)
4) Ben Kweller, Go Fly a Kite
5) Fierce Bad Rabbit, Live and Learn (C)
6) Sarah Jarosz, Follow Me Down
7) Darrell Scott, Long Ride Home
8) Various Artists, This One’s For Him
9) Ruthie Foster, Let It Burn
10) Wilco, Whole Love
11) Dave Carter & Tracy Grammer, Little Blue Egg
12) David Richey, No Peace Of Mind (C)
13) Galactic, Carnivale Electricos
14) Jessica Lea Mayfield, Tell Me
15) John Common, Beautiful Empty (C)
16) Katya Chorover, Big Big Love (C)
17) Lionel Young Band, On Our Way To Memphis (C)
18) Gotye, Making Mirrors
19) Little Willies, For the Good Times

“Combining a compelling mix of music, theater, fashion and modeling into her repertoire, Cassie Taylor is an ambassador of blending the arts.  Cassie is the daughter of renowned bluesman Otis Taylor and toured in his band for seven years as bassist and backup vocalist.  She takes her passion for the blues seriously by serving on the board of directors of The Blues Foundation.  Staking a claim as a musician in her own right, her songwriting is a new kind of blues which explores the trials and tribulations of a twenty-something woman.  Using pop vocals and deeply-rooted blues bass lines, Cassie is leading the new generation of blues artists. “

Joining Cassie in the studio on percussion is Josh Moore.  Guitarist Eric Wiggs could mot make it in to the studio for the radio show but gave a stellar performance with Cassie & Josh later that evening at their Avos show.

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>  Longest Day of the Year, Turn Into the Ground     COLORADO MUSiC!

Very strong alt.country debut CD from a Boulder band of whom Greensky Bluegrass blurbs, “It’s not every day that you hear a band that is able to preserve the best of Americana while bringing a whole new sound to the game.”  Guitarist and vocalist “t. mule” wields one of the gruffest voices in recent memory, contrasted with a smart and witty lyrical touch that works to lift TLDOTY above the alt.country fray.  Glimpses of blues, grass and jam throughout make this an impressive and recommended debut.  The band will unleash their CD in Fort Collins on the 31st at an Avogadro’s Number show with the Honey Gitters.
Produced by:  Jason McDaniel & TLDOTY
Label: Mulewax
File Under:  Americana / Local

 

 

>  Jesse Manley, Devil’s Red  COLORADO ARTiST!

Just goes to show you …  I received this fine album a couple months ago.  It lived on my dusty old desk until this week, when I decided to clear things away.  I sorted CDs a bit, coming across a few that I wanted to re-preview, just in case.  Like Jesse Manley’s fine album.  Manley is a talented Denver folk/pop musician, with a voice somewhere between Jeff Finlin and Colin Meloy, and a musical sensibility not unlike those two.  Manley and his producer Willey play just about every instrument on the album, with nice arrangements featuring occasional mando, banjo, lap steel and “Baldwin Fun Machine”.  Why I didn’t respond to this CD immediately I might never know.  But here it is now, and it deserves your attention (prob’ly sooner than later).
Produced by:  Dave Willey w/Jesse Manley
Label:  Self
File Under:  Rock / Local

 

 

>  Crags, Big Divide   COLORADO ARTiST

An interesting trio from Durango that manages to bring to mind bands like Missing Persons or Motels as filtered through a contemporary garage ethic.  Singer and songwriter and guitarist Tracy Ford wields an effectively deadpan voice, appropriate for the band’s subtle sense of humor.  The album’s production adds nothing to the barebones guitar / bass / drum lineup, lending to the project’s definite DIY aesthetic.  Depending on the light in which it’s all viewed, listeners might also detect a slight “cowpunk” influence, especially on the title track.
Produced by:  Tracy Ford
Label:  The Crags
File Under:  Local / Rock

 

 

>  Tom Hagerman, Idle Creatures  COLORADO ARTiST

>  Tom Hagerman, Water Music

Devotchka’s multi-instrumental wizard Tom Hagerman is releasing these two instrumental albums simultaneously (just to make everyone else feel lazy and unproductive).  While they’re both truly impressive works, Water Music is certainly more experimental and will have more of a difficult time finding its way into our playlist (nevertheless, I thought to add it to our collection just because … ).  You’ll likely hear hints of Hagerman’s contributions to Devotchka’s sound on Idle Creatures, where he primarily sticks to violin.  Nevertheless, it’s not a Devotchka album, being more of a collection of chamber-pop string arrangements, spiced liberally with more exotic world influences.  It’s actually beautifully done stuff, typically short pieces for small ensemble, but accessible enough for anyone who appreciates acoustic string music. There’s a definite element of the macabre to Hagerman’s work, as evidenced in titles such as “Happy Music For Sad Children” or “Granny Old Wound”.  Pieces that I’ve bulletted might even fit into a Mix show (please preview though).  Recommended (Idle Creatures).
Produced by:  Adam Selzer
Label:  Tom Hagerman
File Under:  Local / Classical?

 

 

>  Poison Oaks, Pine

Leader and fiddler Laura Cortese calls this project a “folkestra”, crowded with 16 contributors.  In addition to Cortese and her fiddle, there are members of bands Uncle Earl, Small Ponds, Joy Kills Sorrow, Crooked Still and more.  Their music could best be described as indie-folk, with a strong emphasis on mass vocals and bright instrumentation.  This 5-track EP takes the classically trained acoustic sounds of bands like Crooked Still and adds a respectful bit of indie noise to the proceedings.  It’s just the kind of music you might imagine Dennis playing on his fine Monday Afternoon Mix (hint, hint).
Produced by:  Matt Malikowski
Label:  Poison Oaks
File Under:  Rock

 

 

>  Candi Staton, Who’s Hurting Now?

Despite soul and gospel singer-songwriter Staton’s impressive resume, she has been relatively inactive over the past two decades, aside from a series of gospel recordings.  Originally released in Europe in 2009, Who’s Hurting was never released stateside until now, owing to label politics.  Produced by Lambchop’s Mark Nevers, it is an excellent collection of rootsy southern soul and americana, featuring some worthy covers and a couple Staton originals.  Tracks span the spectrum, from a reinterpreted tune Staton cowrote with Groove Armada to covers of Bonnie “Prince” Billy, Chris Smither and more.  There’s even a moving take on Mary Gauthier’s acclaimed “Mercy Now”.  Staton has been writing and recording since 1969, and it’s nice to finally see this album released domestically.  Recommended.
Produced by:  Mark Nevers
Label:  Honest Jons
File Under:  Soul

 

 

>  Dale Watson, Sun Sessions

Dale tells the story of how he was heading for a show in Memphis, and placed a call to the venue en route.  When the venue told Dale that they did not have him on their schedule, he decided to head over to the legendary Sun Studios with his Texas Two and record an album.  He goes on to relate how he wrote six songs on the way to Sun.  Everything here is pure Dale, so he does no covers, but explains how he “channels the heart and soul of the hillbilly / rockabilly / rock ‘n roll universe” on his new recording.  True to the tradition, these songs are typically sub-3 minute deals, with a couple not even reaching two.
Produced by:  Dale Watson
Label:  Red House
File Under:  Americana

 

 

>  Michelle McAfee, Up In the Air

Singer-songwriter / guitarist McAfee actually grew up in Nederland, and cut her musical teeth here as a young woman, before heading to Nashville for a successful career as an inhouse songwriter (and then to Oregon).  McAfee brings some of those tunes to her debut release, produced by the stellar slide guitarist David Jacobs-Strain, a fellow Oregonian who also plays and sings throughout.  Like Anne McCue or Kathleen Edwards, McAfee is a worthy guitarist, with an obvious lyrical gift.  There is a nice interplay between McAfee’s twang-friendly voice and Jacobs-Strain’s slide on these tunes, which rarely climb above a gentle pace.  One might find a comparison between this album and the recent collaboration between Kelly Joe Phelps and Corinne West.
Produced by:  David Jacobs-Strain
Label:  Awake Now
File Under:  Americana

 

 

>  Amelia White, Beautiful and Wild

This is the Brooklyn artist’s fifth CD of gritty, graceful alt.country.  I’ve been a fan of White’s for several years, mapping her somewhere between Eliza Gilkyson’s unexpectedly expressive voice and Lucinda Williams’ ability to write about the cracks in life’s sidewalks.  I’d also compare her to Alejandro Escovedo, in an effort to escape the gender trap when it comes to comparisons.  Like Escovedo, White’s music can be tough and aggressive, bringing to mind urban scapes and life’s rough edges.  Especially like Gilkyson’s later material, however, she can achieve a balance by telling these stories in a beautiful voice.  Extra points for an adventurous take on Roxy Music’s “More Than This”!  Recommended.
Produced by:  Marco Giovino
Label:  Amelia White
File Under:  Americana

 

 

>  Sugar & the Hi-Lows, Sugar & the Hi-Lows

Sugar & the Hi-Lows are actually made up of two successful Nashville singer-songwriters, Trent Dabbs and Amy Stroup.  The results add a soulful, slightly retro R&B feel to their americana, with Dabbs and Stroup sharing lead atop a bed of Dabbs’ tasty electric guitar.  In light of obvious comparisons, Sugar & the Hi-Lows are more loud fun than Civil Wars, and less self-consciously clever than She & Him.  One would hope that this very fun exercise proves to be more than a one-off side project for the artists involved.
Produced by:  Jeremy Bose
Label:  Milk Glass Music
File Under:  Americana

 

 

>  Folk Uke, Reincarnation

This odd album is the product of the collaboration between a handful of progeny from renowned parents.  The primary work is performed by Amy Nelson (Willie’s girl) and Cathy Guthrie (Arlo’s daughter), with additional contributions from Shooter Jennings and Casey Kristofferson (Kris’ offspring).  Yes, both Amy and Cathy do play uke throughout, but it’s their deep, backwoods harmonies that carry this release, along with their truly unusual sense of humor as demonstrated on nearly every quirky cut (altho it seems to have been toned down a bit since their debut EP that featured cuts like “Shit Makes the Flowers Grow” and “Motherfucker Got Fucked Up”).  Despite the emphasis on simply having a good time, these are talented folks, with beautiful, classic voices.  Dads Willie and Arlo actually appear on a “dueling guitars” solo on one cut.
Produced by:  Abe Guthrie & Folk Uke
Label:  Folk Uke
File Under:  Americana

 

New to Our Holiday Shelves  (briefly)

 

>  She & Him, A Very She & Him Christmas

This holiday collaboration between Zooey Deschanel and M Ward undoubtedly fulfills the sweet quotient for your winter season.  The retro spirit that has dominated their work together is very present here, especially in Deschanel’s vocals and Ward’s guitar work.  Ward even get a lead vocal on one cut, and a duet vocal on “Baby It’s Cold Outside”.  While standards rule the setlist, I appreciate the inclusion of a couple Brian Wilson originals.  Among my favorite holiday offerings for the year.
Produced by:  M Ward
Label:  Merge
File Under:  Holiday

 

>  Various Artists, This Warm December Vol 2

Toasty holiday treats from Jack Johnson and his labelmates from Brushfire Records.  Featuring artists such as G Love, Matt Costa, Zee Avi and Johnson himself, some on originals, some on less originals.
Produced by:  Various
Label:  Brushfire
File Under:  Holiday

 

>  Mark O’Connor, An Appalachian Christmas

A diversity of string-related things, including some bluegrass, some country and a bit of classical.  Actually, a nice assortment, with vocalists ranging (widely) from Jane Monheit to Renee Fleming (and Alison Krauss being all feathery in between).  Mark O’Connor’s versatility is impressive.
Produced by:  Various
Label:  OMAC
File Under:  Holiday

 

>  Vanessa Peters, Christmas We Hoped For

Texas-based artist does quite a nice job on an album that mixes trad with originals.  Peters has a voice that works well with holiday stuff, and which there’s a good amount of trad here, Peters’ arrangements are thoughtful and hardly rote.
Produced by:  Rip Rowan & Vanessa Peters
Label:  Vanessa Peters
File Under:  Holiday

 

>  Mandy Barnett, Winter Wonderland

Singer Barnett has had a relatively minor country music career, and is perhaps best known as the voice behind the stage production Always … Patsy Cline.  These holiday standards were obviously inspired by artists like Cline and producer Owen Bradley, with classic arrangements and vocals.  It marks Barnett’s first solo recording since 1999.  As producer and voice behind Winter Wonderland, Barnett certainly has the sound down, bringing to mind a definite time in the history of country music.  Her voice is so evocative, and given the early buzz that surrounded her as a youngster, one might wonder why she hasn’t recorded more to date.
Produced by:  Mandy Barnett
Label:  Rounder
File Under:  Holiday

 

>  Donna Ulisse, You Cannot Stay Here / You Will Be Delivered

Bluegrass vocalist Ulisse offers this 2-song CD, a promissory note towards a full album to come (some day).  Both songs are originals, and beautifully well done, addressing characters in the Bible’s manger story.
Produced by:  Keith Sewell
Label:  Hadley Music Group
File Under:  Holiday

 

 

>  Skaggs Family, Skaggs Family Christmas Volume 2

A CD / DVD  package, only half of which will probably be of use to programmers.  Say what you want about Ricky Skaggs, he is a true professional.  These are fine arrangements of contemporary and classic holiday tunes, mostly with a bluegrass or country slant.  While Skaggs himself is everywhere, he allows his family to take lead on several tracks, and they seem to have inherited much of Ricky’s golden touch.
Produced by:  Father Skaggs
Label:  Skaggs Family Records
File Under:  Holiday

 

 

>  Michel LeGrand, Noel! Noel!! Noel!!!

An odd project that features conductor Michel LeGrand and his orchestra performing “AN ALBUM OF THE GREATEST CHRISTMAS SONGS” with a curious assortment of vocalists.  Jamie Cullum is appropriately upbeat on “Let It Snow” and Teddy Thompson and Rufus Wainwright carry a lush take on “White Christmas”.  Carla Bruni, Mika and Madeleine Peyroux show up and practice their French.  Out of nowhere comes Iggy Pop, whose “Little Drummer Boy” makes Bob Dylan’s manic holiday album from last year sound heavenly.
Produced by:  Sylvain Tallet
Label:  Verve
File Under:  Holiday

 

 

>  Various Artists, My Favorite Gifts

A fairly non-traditional benefit album from the folks from North Carolina’s Ramseur Records.  Matter of fact, there’s nary a standard here among the tracks offered by David Wax Museum, Jessica Lea Mayfield, Avett Brothers and more.  Tunes are universally rootsy and a bit understated, with a couple cuts not necessarily even obviously holiday songs.  A good alternative for programmers who would like to acknowledge the season without breaking out the jingle bells and the ho-ho-hos.
Produced by:  Various
Label:  Ramseur
File Under:  Holiday

Albums reviewed by KRFC’s own Scott Foley, host of Routes and Branches.

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Bluegrass albums reviewed by KRFC’s own Andrea Bradstreet, co-host of Rocky Mountain Breakdown.
CROWE BROTHERS
BRIDGING THE GAP
RURAL RHYTHM
Comments: This CD is aptly titled because the Crowe Brothers (Wayne and Josh) combine the traditional sound of brother duets with a modern sensibility and influence. The vocals are superb reminding the listener of the legendary Louvin Brothers, Jim & Jesse, and the Whitstein Brothers sound without being imitative. The material is warm and diverse at the same time. There is a feeling of ease while listening to this recording. Producers: Josh & Wayne Crowe, Steve Thomas and Steve Sutton. Highly recommended.

THE MISSY WERNER BAND
THREE KINDS OF LONESOME
MISSY WERNER MUSIC
Comments: This is the second recording we have received from Missy and it has a fuller sound than the first. Her band is great and it is nice to hear this artist record with her touring band. The material has the traditional song structure and instrumentation, but has a contemporary style that makes this CD fresh. Missy has a wonderful voice and she performs 2 duets, one with Frank Solivan II and one with Chris Jones. Both are very enjoyable. The last 2 cuts are tributes to the Lynn Morris Band and the Bluegrass Cardinals. Producer: Jon Weisberger. Highly recommended.

BEN LEWIS
BLACKBEARD’S DREAM
BEN LEWIS
Comments: Ben Lewis is from Manitou Springs, CO and describes this release as “Progressive Bluegrass from the Subconscious” and “a new album of psychedelic progressive Bluegrass”. I get the progressive part, but not the psychedelic influence. But, I was in my 20‚s during the 1970‚s. Nuff said. Ben has gathered several other Colorado Artists to record this CD of all original material. He is an exceptional instrumentalist focusing on the fiddle. This recording debuted at #13 on the Colorado Roots Music Radio Airplay chart the week of its release. This release is a very worthwhile self-produced effort by Ben. Highly recommended.
Chris K had added this as a private CD and since I think it should be in our library, I’ve re-designated it as Bluegrass in Spinitron. It still has the LOCAL flag.

LAURIE LEWIS
SKIPPIN‚ AND FLYIN‚
SPRUCE & MAPLE MUSIC
Comments: Laurie Lewis has produced a tribute to Bill Monroe focused more on the man, than just on his music. She has blended original tunes with more well-known material, but tweaks those tunes to suit the recording. Laurie is an incredibly prolific songwriter and performer. Her ability to choose songs that showcase her talents and those of the band is second to none. The supporting musicians are long time friends of Laurie‚s and you can hear it in the songs. She has one of the most beautiful and expressive voices in Bluegrass music today. Her range is phenomenal on this CD. Highly recommended.

BEARFOOT
AMERICAN STORY
COMPASS RECORDS
Comments: Bearfoot seems to re-invent the sound of the band with each new release. This CD has a fresher sound and that observation may be the result of Nora Jane Struthers‚ arrival. Her smooth, lovely voice and incredible songwriting talents blend beautifully with the rest of the band. The band sounds more cohesive without being monotonous. This recording has all original band material that ranges from very traditional sounding tunes to very progressive tracks. That makes this CD especially suited for Morning Mix shows. Some of the cuts have a very tasteful and understated use of percussion that is not distracting from the rest of the song. Producer: Brent Truitt. Highly recommended.

MONROEVILLE
MONROEVILLE
MONROEVILLE RECORDS
Comments: Monroeville is a group of musicians who have blended traditional sensibilities with contemporary style. The talent throughout is superb and the material is a mix of lesser known tunes and original material. This music isn‚t your Grandpa‚s Bluegrass. There are a few cuts that are recommended for DAY MIX shows and they are marked as such. Cia Cherryholmes (formerly of Cherryholmes) lends her perfect vocals to 2 cuts. Producers: Jim VanCleve and Monroeville. Highly recommended

PAUL WILLIAMS & THE VICTORY TRIO
SATISFIED
REBEL
Comments: Paul Williams & the Victory Trio have stuck to what they do best ˆ Bluegrass Goxpel. The material is traditional gospel and so is the presentation. Paul Williams is really somewhat of legend in Bluegrass circles and even though he is in his 70‚s, his voice is clear, strong, and spot on. He plays a mean mandolin too. Producer: Paul Williams. Highly recommended for Bluegrass Gospel lovers.

SNYDER FAMILY BAND
STAGES
MOUNTAIN ROADS RECORDINGS
Comments: This recording is aptly titled “Stages” because it sounds like this family band has made a significant leap in their talent offering. Samantha does much of the lead singing. She is also a fine fiddle player ˆ she is only 12 years old. Zeb is 16, sings lead and harmony, plays guitar and mandolin and takes an occasional turn on bass from dad, Bud. Laine (Mom) sings some harmony vocals. Samantha and Zeb have voices that are solid and as they mature, their vocals will be equal to their considerable instrumental talent. The real strength of this recording is the incredible instrumental talents of Samantha and Zeb. They sound like seasoned veterans on their chosen instruments. Their intonation, flow, and mastery belie their young years. Producer: Snyder Family Band. Highly recommended.

DAVID PARMLEY & CONTINENTAL DIVIDE
CHURCH HOUSE HYMNS VOLUME II
DP&CD RECORDS
Comments: David Parmley & Continental Divide have compiled a wonderful all Gospel recording of mostly familiar tunes. The singing is pure and expressive. The CD is dedicated to David‚s Great Grandfather who donated land for a church that is still in use today in Wayne County, Kentucky. The roots of Bluegrass Gospel music are presented in a touching and sincere way. Producer: David Parmley & Continental Divide. Recommended for those of you who enjoy genuine Bluegrass Gospel.

ETHAN HUGHES
SEARCHING FOR A HOME
PATUXENT
Comments: Ethan Hughes is an incredibly gifted Dobro player and has a wonderful voice as well. He wrote 2 of the tunes on this CD. Ethan was at KRFC when Darren Beachley & the Legends of the Potomac came to do Live @ Lunch. Mike Auldridge couldn‚t travel at that time and Ethan stepped in during that tour. So, his credentials are quite solid for a 20 year old. The songs are very good and this CD is highly recommended. Producer: Tom Mindte

IVAN ROSENBERG & THE FOGGY HOGTOWN BOYS
THE HOGTOWN SESSIONS
VOLE-O-TONE RECORDS
Comments: Ivan Rosenberg (from Washington state) has teamed up with the Foggy Hogtown Boys (Canada) to record songs that take you on a journey through the early times of Bluegrass music. The sound is definitely a bit organic, but not rustic. There are a few originals by Ivan and many tunes that are familiar. The last cut on the recording is an ode to “honey buckets” so you may want to preview it before you decide to play it or not. Recommended. Producer: Ivan Rosenberg

JUNIOR SISK & RAMBLERS CHOICE
THE HEART OF A SONG
REBEL
Comments: This recording is a slice of expertly played and soulfully sung music carved straight from the center of tradition. The material includes a few standards, 4 originals, and lesser-known songs. The singing is superb and the drive of Jason Davis‚s banjo ties everything together in one excellent recording. Producers: Wes Easter and Ramblers Choice. Highly recommended.
DALE ANN BRADLEY
SOMEWHERE SOUTH OF CRAZY
COMPASS
Comments: Dale Ann Bradley has won the International Bluegrass Music Award for Best Female Vocalist 3 times and this recording is a perfect example as to why. Her voice can be powerful, tender, expressive, and thrilling. She wrote 3 of the tracks too. She has found a home at Compass records and Alison Brown is the producer. Dale Ann stays incredibly busy with touring with her own band and singing on several other recordings. Steve Gulley is a favorite singing partner and her back up band on this recording includes Steve, Sierra Hull, Pam Tillis, and Stuart Duncan as well as Alison Brown on Banjo. Highly recommended.

LEE MARCUS
GRANDPA‚S POND
LEE MARCUS MUSIC
Comments: Lee Marcus was the banjo player for Wayne Taylor & Appaloosa and has stretched out to make a fine CD. I didn‚t get much information with the CD, but guests include Cia Cherryholmes, Jim VanCleve (Mountain Heart), Josh Schilling (Mountain Heart), Christian Ward, Wyatt Rice, Aaron Ramsey, and Jason Moore (Mountail Heart). The material‚s credits are not provided so I don‚t know whether there are originals on this recording. Producer: Lee Marcus. Recommended.

FRANK WAKEFIELD
A TRIBUTE TO BILL MONROE
PATUXENT
Comments: Frank Wakefield doesn‚t just admire Bill Monroe ˆ he studies the Father of Bluegrass. Frank has put together a fine group of traditional Bluegrass performers to present his tribute to Bill Monroe. Audey Blaylock and Tom Ewing (former Bluegrass Boy) do most of the lead singing and Michael Cleveland shines on fiddle. The tunes are all familiar and performed in the style they were originally performed. The liner notes and pictures are especially nice. Produced by Tom Mindte. Highly recommended.

HANK BOWMAN
LONELY
HANK BOWMAN MUSIC
Comments: Hank Bowman is a singer songwriter and he wrote 9 of the tracks on this recording. His lyrics take you along on journeys to loneliness and beyond. The talent is solid all the way around. The rest of the tracks are songs written by Shawn Camp and Paul Craft, Sting, Peter Rowan and others. This debut CD from Mr. Bowman is a good effort and exposes his songwriting skills to the listener. Producer: Russell Johnson. Recommended.

C.W. MUNDY
ROAD TRIP: CROSSING BORDERS
MOON SURF RECORDS
Comments: C.W. Mundy is an artist (fine arts painter) who is also a fine musician and songwriter. All tracks are originals and quite diverse. Twelve of the 16 cuts are instrumentals and they are in different styles. The musicians and vocalists on this CD are great and really bring out the unique material. Some of the artists are familiar to Bluegrass fans including, Randy Kohrs, Scott Vestal, Jim VanCleve, Jeff Autry and Alice Vestal (on vocals). There are some cuts that are highly recommended for Day Mix shows and they are marked on the CD. Producers: C.W. Mundy and Scott Vestal. Highly recommended.

MOODY BLUEGRASS
TWO∑MUCH LOVE: A NASHVILLE CELEBRATION OF THE MOODY BLUES
BUNNY RAE RECORDS
This CD is NOT a compilation.
Comments: David Harvey (formerly of Colorado Springs) produced the first Moody Bluegrass CD and has taken lots of time to produce this second recording. The first Moody Bluegrass CD was mainly different bands doing covers of the Moody Blues songs. “Two∑Much Love” is entirely different and is much better. There is a core group of musicians with guest singers. Members of the original Moody Blues appear on this recording as well. Tim O‚Brien does a great job of lead singing on “Dear Diary”. The material that was made famous by the Moody Blues is presented in a style that incorporates Bluegrass instruments and arrangements, but doesn‚t sound hokey. Day Mix DJs take note: this CD is fun too! Highly recommended.

Rock & Americana albums reviewed for KRFC by Scott Foley, host of Routes and Branches.

You Me & Apollo, Cards With Cheats

FoCo resident Brent Cowles is basically a one-man band on this 2nd CD under the You Me & Apollo moniker.  Out in July (and available for a free Bandcamp download), this is one of my favorite CO releases of the year. Cowles writes far beyond his experience, with a voice and style akin to M Ward, or a dustier Brett Dennen with just a touch of soul.  Like Nathaniel Rateliff, much of Cards is quiet and understated, only to explode occasionally into Cowles’ powerful vocals and full band.  Despite the namedropping, it’s refreshingly original stuff that deserves a wider listenership.
Produced by: dunno
Label: River Jones Music
File Under: Local / Rock / Americana (COLORADO MUSIC)

 

Constitution, Wrestling With the Daylight

This Fort Collins quartet calls its brand of music “americana soul”.  Driven by Darren Radach’s mandolin and Matt Mahern’s soulful vocals, the songs on Constitution’s new release are quick to like and hard to forget.  Mahern’s writing has a quick humor, with frequently clever turns of phrase and an unexpected outlook.  There’s an ease and comfort that carries through this entire recording, everything laid-back and friendly.  Also featured are Ben Prytherch on acoustic bass and Peter Knudson on percussion, and Greta Cornett adds some trumpet to my favorite track.
Produced by: Darren Radach
Label: Constitution
File Under: Americana / Local  (COLORADO MUSIC)

 

Honey Gitters, Poor Gitters’ Almanack

The Fort Collins band’s second CD of grass-inspired jamming will grow quickly on listeners’ ears.  While a couple tracks stick closer to bluegrass conventions, the 4-piece enjoys their departures, adding electric guitars, drums and extended instrumental breakdowns to their mix. Even a take on Louisiana-ish sounds.  Especially worthy are Greg Simms’ electric guitar arrangements, which define the Gitters’ sound on this new CD.
Produced by:
Label: Honey Gitters
File Under:  Americana / Local  (COLORADO MUSIC)

 

Kentucky Parlor Pickers, Barn Burner

You might not guess by their moniker, but this edgy string band trio is actually from Denver.  Their debut CD has been out for a couple months, but is new to our library.  Like Legendary Shack Shakers, the Pickers have a definite edge to their alt.country, as well as a welcome sense of humor.
Produced by: Mark Thomas
Label: Self
File Under: Americana / Local  (COLORADO MUSIC)

 

——–

 

Doop and the Inside Outlaws, What Am I Supposed To Do?

To add insult to injury, this Detroit collective’s second CD was called Everett Belcher …  Anyhow, Doop is Don Duprie, who has drawn together a loose group of Detroit roots types for what is actually a fine effort.  I suppose this could best be termed “working class roots rock”, blue collar stuff with a nice sense of a tune.  Think Mellencamp a’la Rain On the Scarecrow with well-done pedal steel throughout.  Especially nice is a duet Doop does with singer Alison Lewis on “Not Too Late”.
Produced by: Jim Diamond
Label: Blood River
File Under: Americana

 

 

Pert Near Sandstone, Paradise Hop

Is there something in thewater of the Land of 1,000 Lakes that makes them enjoy their bluegrass hard and fast?  The St Paul quartet’s fourth studio album will find a place in the heart of fans of Duluth’s Trampled By Turtles.  All four members play and sing, populating each song with fiddle, banjo, mandolin and other trad favorites but flitting between bluegrass and something faster and looser, often within the same tune.  A couple trad songs, but mostly original (in all senses).  Whereas earlier releases might’ve sounded less consistent, Paradise Hop tightens it all up nicely in terms of writing, play and production.  A good number of playable tracks here (one of those that I couldn’t stop marking up …).
Produced by:  Matthew Zimmerman
Label: Pert Near Sandstone
File Under: Americana

 

 

Damn Quails, Down the Hatch

Last week we debuted a new CD by Mike McClure, on his new 598 Records label.  Here, McClure produces the promising debut recording by Gabriel Marshall and Bryon White, the Damn Quails.  Like much of Oklahoma’s red dirt country scene, Damn Quails’ brand of americana is well-produced and arranged, mid-tempo pieces spiced with fiddle, harmonica, pedal steel and more.  Both gentlemen trade off lead vocals for a bit of variety, and blend well together when harmonizing.
Produced by:  Mike McClure and Joe Hardy
Label:  598 Records
File Under: Americana

 

 

Hoots & Hellmouth, Salt

The Philadelphia band’s fourth album (counting an EP earlier this year) somewhat abandons the “stomp” which characterized their earlier work.  Also, the man known as “Hellmouth” has left to become a school teacher (Mr Hellmouth, I assume).  With a more expansive sound and a couple new group members, there remains a nice roots element to the band’s music.  There’s also a bit more emphasis on songcraft and lyrics, with the vocals of Sean Hoots more out front and center.  Will likely appeal to fans of “neckbeard” bands such as Dawes, Blitzen Trapper, Mumford & Sons, etc.
Produced by:  Hoots, et al.
Label: Hoots & Hellmouth
File Under: Rock

 

Kitty Daisy & Lewis, Smoking In Heaven

Third album from the NW London siblings with a thing for antique instruments, equipment and sounds.  When these three talented Durhams were younger, there was a novelty to their act.  Now that they’re a bit older, they’re able to rise above the novelty status, writing most of their own tunes and handling all but a few instrumental duties.  The trio roams through a musical landscape of blues, jazz, boogie-woogie and rockabilly.  trading lead vocals and songwriting responsibilities.  There remains a definite retro quality, but with artists like Adele, Duffy and Nick 13 making strides there’s also something relevant to KD&L.
Produced by: KD&L Durham
Label: Verve
File Under: Rock

 

 

Zoe Boekbinder, Darling Specimens

I like this blurb from her website:  “Zoe has an affinity for mason jars, rusted metal, Dolly Parton, sea creatures, botanical drawings, dilapidated barns, chocolate, avocados, broken hearts, port wine, and the open road. She went to clown school and wants to own a farm someday. Her last name is pronounced “book-binder”, like a person who binds books.”  Doesn’t tell you much expect that there’s quirk aplenty here.  Boekbinder has played with Dresden Dolls and Ditty Bops, which won’t surprise a listener.  A more helpful bit from her site:  “a heartrending and tousled collage of auxiliary percussion, haunted horns, theremins, and strings.”  Both charming and a sinister.
Produced by: several folks …
Label: Extropian
File Under: Rock

 

 

Various Artists, Lost Notebooks of Hank Williams

Like any other self-respecting legend, when Hank passed so many years ago, he left a briefcase full of lyrics in his wake.  With help from Bob Dylan, producer Mary Martin selected a dozen of these unfinished tunes and paired them with a dozen songwriters who completed the songs.  Contributors run the gamut from Dylan to Lucinda and Merle, from Dylan (Jakob) to Levon Helm and Sheryl Crow.  All approach their respective songs with a reverence that makes this a very country-leaning record.  While I’ve tagged a couple standout cuts, it’s all very playable.
Produced by: Mary Martin
Label: Columbia
File Under: Americana

 

 

Deer Tick, Divine Providence

Deer Tick has always teetered on the brink of a full-raging kegger.  On Divine Providence, the band abandons any pretense to songwriterly dignity and dives into the beer-drenched chaos.  Perhaps Middle Brother enforced a bit too much discipline for John J McCauley III, whose voice has always been ragged but here gives Shane McGowan a run for his money.  Having said that, it’s not an entirely negative thing since Deer Tick’s abandon has always been a big part of their charm.  Like McGowan or Paul Westerberg, an unhinged McCauley can still write a great song.  It’s only unfortunate that a couple of the better tracks feature prominent obscenity.
Produced by: Adam Landry and Justin Collins
Label: Partisan
File Under: Rock

 

 

Mike McClure, Fifty Billion

One of the bigger names on what was Oklahoma’s Red Dirt scene, McClure is probably better known as a producer for bands such as Cross Canadian Ragweed.  While he began his recording career as a member of The Great Divide, he has nurtured a solo career over the space of nearly a dozen albums, most a bit more polished and varied than much Red Dirt fare.  On this new effort, McClure often comes off sounding a bit like Fred Eaglesmith, albeit with layered vocals and horns here and there.
Produced by: Joe Hardy
Label: 598 Records
File Under: Americana

 

 

Honey Honey, Billy Jack

Just two folks:  Suzanne Santo on lead vox, violin and banjo, and Ben Jaffe on seamless harmony, guitar and lots more.  From LA, Honey Honey make excellent music together, a strain of americana that brings together Nashville’s tuneful country, Laurel Canyon’s folk-rock and an edginess that comes from living in LA.  Santo is a truly appealing vocalist, her allure strengthened by Jaffe’s backing vocals, dovetailing so perfectly and yet so naturally.  I believe this is Honey Honey’s second or third release, and it should vault them deservingly towards the spotlight, a’la Civil Wars.  Recommended.
Produced by: Raymond Richards
Label: Lost Hwy
File Under: Americana

 

 

Greensky Bluegrass, Handguns

The fourth album from the “new-grass” band from Kalamazoo, who won the Telluride Bluegrass award in 2006.  Even moreso than their previous efforts the excellent Handguns is a genre-bending affair, deserving of lots of hyphenated attempts at classifying an album that spans from Railroad Earth-style jamming to something more akin to the Avetts.  Each member of the quintet is a quality musician, though my award goes to Anders Beck’s steel contributions.  One of the better albums I’ve heard in recent weeks.  Greensky Bluegrass will join KRFC for a show at Hodi’s on the 28th of October.  Recommended.
Produced by: Greensky Bluegrass
Label: Big Blue Zoo
File Under: Americana

 

 

Crooked Still, Friends Of Fall

Crooked Still celebrate their 10th birthday with this long EP (or short LP) of covers familiar and otherwise.  Aoife O’Donovan is surely one of the most lovely voices around, as evidenced on her wonderful take on Paul Simon’s “American Tune” or “Peace of Wild Things”, a Wendell Berry poem set to music.  There’s also a Beatles cut, John Hartford and just one original.  All are so carefully arranged and performed, Crooked Still are more reinterpreters as opposed to another cover band.  A fine collection.
Produced by: Crooked Still
Label: Signature Sounds
File Under: Americana

 

 

Nikki Lane, Walk Of Shame

Couple months ago, I entered a 4-song EP by Ms Lane into our library, and it’s since gotten a good deal of air love from our programmers.  Walk Of Shame fleshes out the promise of that first glance, offering two tracks from the EP and 9 new tunes.  Like the EP, the songs here are rooted in trad country, with Lane’s classic voice and dramatic arrangements.  To this, however, Lane adds echo and attitude a’la Sarah Borges or Neko Case.  With only a couple exceptions (including a Muddy Waters cut), Lane has written or cowritten most tracks, and deserves the attention her CD is receiving.
Produced by: Dave Cobb and Lewis Pesacov
Label: I Am Sound
File Under: Americana

 

 

Danny Barnes, Rocket

Barnes is best know as the versatile banjo virtuoso who fronted Bad Livers and played with everyone from Leftover Salmon to Butthole Surfers.  Rocket finds Barnes expanding ever more in the electric direction, playing what he calls the “bamjo”, a hardbody banjo with pickups.  On a handful of more rocking tracks, it’s not even recognizable as a banjo-hybrid.  Nevertheless, as he branches out,  Barnes shows himself to be more soulful and funky, and certainly more experimental than any other banjo player of which I am aware.  As a special bonus, there is a cover of T Rex’s “Bang a Gong”.  No matter your expectations, Barnes will exceed them here.
Produced by: John Alagia
Label: ATO
File Under: Americana

 

 

Ryan Adams, Ashes & Fire

I believe John entered this into the library last week, possibly even under Rock.  But I wanted to drop a belated commentary about Adams’ first serious work in a couple years.  It’s also his most basic and stripped down, focusing on little more than good songcraft.  There are no tracks that rise above a ballad or mid-range beat, with Adams’ honest and raw voice front and center in front of a very strong band.  Joining him are Benmont Tench, Greg Leisz, Norah Jones and more.  In addition to Jones, Mandy Moore and former Cardinal Neal Casal add vocals.  While the results are more subtle than most of what he has done in the past, there are some fine and stirring moments on Ashes & Fire.
Produced by: Glyn Johns
Label: Capitol
File Under: Americana

 

 

Red Molly, Light In the Sky

Seems it hasn’t been all too long since this stellar New York trio unleashed their James CD upon our library.  Light in the Sky replaces Molly Carolann Solebello with singer-songwriter and guitarist Molly Venter, but the musicianship and unreal harmonies are a constant.  While there are only three originals here, the Mollies do a fine job selecting covers, including a couple trax by Gillian and David, a Buddy and Julie and a couple Mark Erellis.  Especially strong is Abbie Gardner’s dobro, joined by guests Jonathan Byrd, Jake Armerding, drummer Ben Wittman and more. Wheras much of James fell firmly into the folk bin, Light in the Sky crosses over comfortably into country and bluegrass territory.  A fine recording.
Produced by: Red Molly
Label: Red Molly
File Under: Americana

 

 

Joe Henry, Reverie

There was a time when Joe Henry was a straightforward americana singer-songwriter; one among many (his early 90s albums featured the Jayhawks as his backing band). The five albums released since Scar often sound like a different artist; more akin to a much less bombastic Tom Waits, bringing the class of jazz and the suaveness of R&B into his mix.  Whereas some of the stuff Henry has released recently incorporate noise and rattle into his songs, Reverie strives to be a wholly acoustic affair, focused on Henry with little else beyond guitar or piano and standup bass.  It’s a frequently beautiful and elegant affair, with the artist’s true poetry like little else you’ll hear in popular music.  Which isn’t to say that everything will go over like gangbusters on radio.  Henry thrives on understatement, so don’t expect catchy beats. But by all means give this recommended disc a close listen.
Produced by: Joe Henry
Label: Anti
File Under: Americana

 

 

Verlon Thompson, Works

Thompson deserves to be more respected as a songwriter, but is much better known as a sideman, especially to Guy Clark.  He records solo albums infrequently, and on Works Thompson mixes more familiar tunes with new ones, both unaccompanied and with friends.  Like Clark, Thompson’s talent is in telling stories, with a ready sense of humor and pathos.  While the tracks featuring only Verlon and his guitar are a bit sparse for radio, there are enough more fleshed-out cuts among the 18 here that will fit in nicely on americana and folk-leaning programs.
Produced by: Verlon Thompson
Label: Victor Tango
File Under: Americana

 

 

Merle Haggard, Working in Tennessee

A nice surprise from Hag, now nearly 75 years old and long past his true prime.  At this point, few would blame him if he chose to assemble an album of covers or rerecordings.  Fortunately, Tennessee is more than just a victory lap, it’s a collection of new Hag songs, with only carefully placed guests.  While his voice has aged, it’s done so gracefully, and Haggard sounds perfectly comfortable, which is not to say he’s cruising here.  His umpteenth album features a couple excellent originals, songs which hold their own up against the man’s legacy.
Produced by: Merle & Lou Bradley
Label: Vanguard
File Under: Americana

* Various Artists, Listen To Me: Buddy Holly

On what would’ve been his 75th birthday year, this is the 2nd and most high-profile of the Holly tributes released to date.  Contributors include Stevie Nicks, Imelda May, Lyle Lovett and more.  There’s even some CO music here from The Fray.  And Eric Idle …  Compared to the earlier affair, arrangements here are truer to the originals, with only a couple notable exceptions.  While this might get us the reputation of playing way more than our share of Buddy Holly tributes, it’s got some truly worthy moments.

Produced by: Peter Asher (Executive)

Label: Verve

File Under: Rock

 

 

* Brigitte DeMeyer, Rose of Jericho

The long-awaited fifth CD from one of the genre’s strongest vocalists and songwriters.  With a voice as strong as Patty Griffin’s, DeMeyer’s mix is rooted here in the music of New Orleans and in gospel traditions.  She is joined by Will Kimbrough, Sam Bush, Mike Farris and more in a very satisfying collection; an album with both roots and wings.  Recommended.

Produced by: BM & Brady Black

Label: Self

File Under: Americana

 

 

* Bare Bones, Bare Bones

A strong new 6-song EP (their second) from the Denver roots quintet whose members have worked with such CO luminaries as Hearts In Space, Munly, Snake Rattle Rattle Snake and Nathaniel Rateliff.  Stylistically, Bare Bones falls closest to folk/rock, with much of the sound built around the violin of Frieda Stalheim.  They add just a touch of darkness to the music, a’la HEM, and should appeal to fans of Over the Rhine or Horsefeathers.

Produced by:

Label: Self

File Under: Americana / Local

 

 

 

* Ry Cooder, Pull Up Some Dust and Sit Down

You know an artist is setting out to make a political statement when his new album is being streamed online at  NPR’s Marketplace.  To his credit, Cooder has always been able to pull it off, surrounding his stance with tremendous musicianship that makes it far more than the opinion page set to music.  Like most of his recent music, Pull Up Some Dust borrows much of its groove from Latin music – percussion and language.  While Cooder invites some famous friends, it’s mostly just him and his son Joachim who have assembled these tracks.  Arguably his best effort since ’97s Buena Vista Social Club.  Recommended.

Produced by: Ry Cooder

Label: Nonesuch

File Under: Americana

 

 

* Nick Lowe, The Old Magic

At 61, seems Nick the Knife has been spending his last couple albums trying to convince us how old he is.  Having mastered punk, pub rock and new wave, Old Magic dwells in a rootsy brand of retro lounge pop, where sweet and languid ballads outweigh upbeat bits three-to-one.  Still, Lowe remains among the best classic pop songwriters, and even his quieter moments are often charming.  I suppose this is better than those elder statesmen who spend their albums trying to convince us how young they are …

Produced by:

Label: Yep Roc

File Under: Rock

 

 

* Robert Earl Keen, Ready For Confetti

On his sixteenth album, Keen once again walks the line between classic Texas story songs and throwaway good-time anthems.  He can seemingly do both with one hand tied, releasing Jimmy Buffet cheese here and Townes Van Zandt poetry in the next breath.  Confetti is both as good as his other recent albums, but also a reminder that he will probably never make another Gringo Honeymoon.  Fans will find lots to like, and let’s face it, nobody expects change from REK at this point.  To paraphrase the man himself, this road goes on and on …

Produced by: Lloyd Maines

Label: Lost Highway

File Under: Americana

 

 

* Dirt Daubers, Wake Up Sinners

Dirt Daubers’ debut features Colonel JD Wilkes and bassist Mark Robertson, both from Legendary Shack Shakers, and Wilkes’ wife Jessica on vox and guitar, applying much of the Shakers’ energy and irreverence to trad and original gospel music.  Tunes are short and fierce, stuff that churches might not recognize or claim as their own.  Wilkes’ vox and banjo are quickly recognizable, and Mrs Wilkes’ singing adds a nice touch to songs as both a backing singer and a lead.  Incidentally, since Dirt Daubers are touring with Legendary Shack Shakers this fall, seems the latter band hasn’t called it quits.

Produced by: Steve Mabee & Dirt Daubers

Label: Colonel Knowledge

File Under: Americana

 

 

* Reckless Kelly, Good Luck & True Love

Several bands estimate the sound that Reckless Kelly has perfected, but nobody comes close to RK’s rocking blend of red dirt country and TX roadhouse.  After stints at a couple high profile labels, the Brauns have chosen to release their fine new album on their own label.  They rock harder than most, and have a true sense of melody lacking in too many other acts.  Matter of fact, Good Luck is all about the electric guitars, with several tracks turned up beyond their typical levels for RK.  Recommended.

Produced by: David Abeyta, Willy Braun & Cody Braun

Label: No Big Deal

File Under: Americana

 

 

* Nick 13, Nick 13

Mr 13 is the lead singer and songwriter for the psychobilly band Tiger Army.  On his first solo CD, Nick tempers his billy tendencies with some honky tonk and americana, demonstrating a gorgeous, classic country voice.  He’s also recruited some friends, including producer/guitarists Greg Leisz and James Intveld, pedal steel whiz Lloyd Green, Sara Watkins and more.

Produced by: Greg Leisz & James Intveld

Label: Sugar Hill

File Under: Americana

 

 

* Kevin Dooley, Moonlight Highway

Not a whole lot of competition in Niwot for musical attention.  Resident Kevin Dooley has been practicing his craft for years now, something he calls “American Celtic” (I’m hearing more of the former than the latter).  Produced by Todd Adelman, Moonlight Highway bring to mind roots rock artists such as John Hiatt or David Olney (whom he covers here), with an expressive but gruff voice.  There are also covers of Robert Earl Keen, Tom Waits, Jimmy LaFave and more, alongside four originals.  A nicely done recording.

Produced by: Todd Adelman & Kevin Dooley

Label: Self

File Under: Americana / Local

 

 

* Whitehorse, Whitehorse

This project pairs two artists who have worked their way to prominence in the Canadian americana scene.  Married outside the studio, Whitehorse marks the debut studio pairing of Melissa McClelland and Luke Doucet.  Like their respective solo work, the songs here feature an edgy americana sound, buoyed by the appealingly paired vocals of the participants.  There is also a nice, straightforward duet on Springsteen’s “I’m On Fire”.

Produced by: Luke Doucet

Label: Six Shooter

File Under: Americana

 

 

* Blitzen Trapper, American Goldwing

One of my favorite releases of the year.  I’ve always been fond of the Oregon band’s efforts, flirting with combining Flying Burrito Bros alt.country, 70s country-rock and contemporary indie sounds.  On their new effort, they’ve finally found the perfect balance.  Programmers who have enjoyed Middle Brother or any of the bands that generated that super group (Dawes, Delta Spirit and Deer Tick) will want to give some airplay to this effort, which manages to sound retro and contemporary at the same time.  Recommended.

Produced by: Eric Earley & Gregg Williams

Label: Sub Pop

File Under: Rock

 

 

* Various Artists, Dark River: Songs of the Civil War Era

Well-worn trads are given new life from a strong assortment of primarily Austin, TX artists.  We could sing most of these tunes without a lyric sheet, but it’s nice to hear these new takes by the likes of Slaid Cleaves, Rich Brotherton, James McMurtry and more.  There’s also a CO connection in a nice collaboration between Celeste Krenz and our own Rebecca Folsom.

Produced by; Chuck Pinnell

Label: Blue Corn

File Under: Americana

 

 

* Andy Thorn & Friends, Fire In the Sky

While banjoist Thorn looks to North Carolina as home, he has been Boulder-based for the past five years.  During that time, Thorn has played most notably with Emmitt-Nershi Band and Leftover Salmon.  This new effort features several famous friends backing up Thorn on tunes ranging between grass and country.  Thorn’s expressive banjo takes center stage on most tracks, all of which he wrote (with the exception of a closing cover of G-n-R’s “Sweet Child Of Mine”).  A nicely produced collection.

Produced by: Andy Thorn

Label: Thornpipe

File Under: Americana / Local

 

 

* Trevor G. Potter, Curbside Vacancy

* Trevor G. Potter, Potter County & Points Far Beyond

These releases, 2006 and 2010 respectively, are added to our Local library courtesy of Greg Krush.  Potter has wandered across several states over the years, but now calls Steamboat Springs his home.  He has also served as a radio programmer here and there (and a park ranger and a brewmaster).  Potter sings his tunes in a slightly pinched, higher-than-average voice, somewhat recalling Jimmy LaFave, played with a band called Rural Wreckage. These are smart, well-produced pieces that deserve to find their way into our Colorado music rotation.  

Produced by: TVG and Steve Boynton

Label: Trevor G. Potter

File Under: Americana / Local

 

 

-Reviews contributed by Scott Foley, host of Routes & Branches.

* Eric Lindell, West County Drifter

This 2-disc collection pairs a couple albums released independently by soulful New Orleans songwriter Lindell over the past two years.  Like Paul Thorn or Greg Trooper, Lindell transcends his genre as a seemingly effortless singer and guitarist.  With special guests Delbert McClinton, Peter Joseph Burtt and Ivan Neville, this generous collection ranges between upbeat Louisiana faire to roots rock and horn-driven soul.

Produced by: Eric Lindell
Label: MC Records
File Under: Americana

 

 

* John Doe, Keeper

The former X-man’s eighth solo album is one of the year’s stronger albums, and proves Doe is deserving of a place with Dave Alvin among California’s americana royalty.  While Doe’s singing voice is the same lonely, low tenor, he set forth on his new collection to write, “a love song where people actually get loved.”  Doe is joined here by Steve Berlin, Don Was, Patty Griffin and more.  Recommended.

Produced by: Dave Way
Label: Yep Roc
File Under: Americana

 

 

* Micky & the Motorcars, Raise My Glass

Best known as the home of the other two Braun brothers, Micky and Gary (Willy and Cody head up Reckless Kelly).  Given the relation, it’s no surprise that Micky & the Motorcars readily bring to mind their brothers’ roadhouse alt.country, their vocals are remarkably similar.  While Reckless K tend towards more pop-inflected sounds, Micky & Co remain in the bar, with roots rockers and songs with a bit more of an edge to them.

Produced by: Bukka Allen and Brian Standefer
Label: Smith Entertainment
File Under: Americana

 

 

* Hugh Laurie, Let Them Talk

It’s almost a shame that Hugh Laurie is best known as Dr House since, as this release testifies, he is a very good pianist and an effective singer.  Produced by Joe Henry, it’s probably no surprise that Mr Laurie sounds a bit like his producer.  He also has an amazing backing band, featuring Greg Leisz, Jay Bellerose and Irma Thomas.  Most of the music is New Orleans-based, with a nice groove and very good arrangements.  While he will doubtlessly earn attention for his past, Laurie deserves praise foremost as a musician and singer.

Produced by: Joe Henry
Label: Warner
File Under: Rock